I've added a bit more clay
to the upper lip
|
....Also to the chin |
 |
forming the chin and lower
lip |
 |
time for some major
smoothing! |
now, to work on the nose a
bit. you need something smooth and rounded for this. I found
a crochet hook does a nice job. |
 |
adding some fine lines and
wrinkles around the eyes-these are important details that add character
and realism to your sculpted baby.
While doing this I realize
that the outside edge of the nostrils doesn't line up with the inside
corners of the eyes - yikes!! |

He needed a bit more clay
in the inside corners of both eyes, (too much white showing) so I added
a tiny wedge there and sculpted it in. |
this little divot above
the lip we call the 'angel's touch' |
I like this mouth, but it
seems to be a bit somber in expression
|
|

|
Here I opened Michael's
mouth a bit, I like this better |
Michael is done! |
Into the oven with you,
young man!
I use a regular metal
baking sheet and a nice fat pad of polyester quilt batting. I also
make sure to create a small indentation to hold the head in this
position during baking, so it doesn't rock over to one side or down on
the neck.
I always place the sculpt
into a cool oven and then turn it on to baking temperature. I
already know what to set the oven dial on to reach exactly 275*F because
I always use an oven thermometer.
I will also take at least
one quick peek during the baking process to make sure my thermometer is
still reading the correct temp. Michael will bake for a total of
45 minutes and then I will turn off the oven and leave the door
closed.
I won't take this head out
until the oven has become warm enough that I can touch the head
comfortably. |
Here is Michael, blushed
with oil paints, hair & eyelashes added, and lips glossed with
acrylic sealer |
I've done many sculpts
since Michael, but you know, he's still one of my favorites. |
| On to
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3, Sculpting "Hope" |